stylejourno

Sip, Hussein Chalayan Spring 2012: Served by the designer himself dressed as a waiter, the champagne flutes were embedded with miniature wireless cameras, which projected real time video of the models’ mouths on a large stage-mounted screen, hence the title of the collection. “What I wanted to do was to have the models drink champagne like they would do in a gallery, and look at the screen like they’re actually looking at something but all they see is themselves, but themselves sipping because there is a secret camera inside the glass. I thought it would be this idea of self-image, and that’s essentially what it’s about.”

lily donaldson photographed by ben hassett for numero s/s 2012

petrole:

sasha pivovarova by mario sorrenti for harper’s bazaar us november 2007

deprincessed:

Pieces from Comme des Garçons S/S 2012 in the exhibition ‘White Drama’, shot by Pierre Antoine, found in January Biannual #3

‘The Comme Line’ - Comme Des Garçons A/W 2012

sfilate:

Backstage at Christian Dior Cruise 2014, Monaco

blogspot has also now passed 5000 views which might not seem like a lot, but i really, really appreciate the feedback and the fact that you guys actually take the time to read what i write. i know i’m not as interactive w/ my followers as some other blogs, but would love that to change - if any of you guys wanna talk fashion, life/whatever, i will always respond to anything in my ask. again, thankyou. ♥

posted 6 hours ago

‘Modern Avant-Garde’ - click to read‘In this post I will attempt to look at how important it is for modern fashion to be wearable - although the recession is tightening its grip on industry in general, the fashion industry continues to thrive. The question I wish to explore is whether or not there is room for more avant-garde design in the commercial sphere - the main goal is to sell the collections, meaning that designers choosing to explore less practical visions are now taking a larger risk than ever.’